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A Companion to Hong Kong Cinema provides the firstcomprehensive scholarly exploration of this unique global cinema.By embracing the interdisciplinary approach of contemporary filmand cultural studies, this collection navigates theoretical debateswhile charting a new course for future research in Hong Kongfilm. * Examines Hong Kong cinema within an interdisciplinary context,drawing connections between media, gender, and Asian studies,Asian regional studies, Chinese language and cultural studies,global studies, and critical theory * Highlights the often contentious debates that shape currentthinking about film as a medium and its possible future * Investigates how changing research on gender, the body, andsexual orientation alter the ways in which we analyze sexualdifference in Hong Kong cinema * Charts how developments in theories of colonialism,postcolonialism, globalization, neoliberalism, Orientalism,and nationalism transform our understanding of the economics andpolitics of the Hong Kong film industry * Explores how the concepts of diaspora, nostalgia, exile, andtrauma offer opportunities to rethink accepted ways ofunderstanding Hong Kong s popular cinematic genres andstars