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Alice Whitmore had made her choice and coming of age meant coming to terms with it. She had grown up despising the Marquess, hating him, while holding the greatest of confidences with his son, Charlie, heir to the Lothian title. Lord Kerr was not a man of emotional displays, but his feelings for the young Alice were mutual-he scorned her wild, disobedient nature, disliked her laughing eyes, and more often than not was inconvenienced by her nonsense. Then, years of devilry, pranks and schemes were suddenly blurred together with a reckless game of Truth or Dare, and when the man she loves to hate turns out to be the man she trusts the most, the superior challenge ropes her in, influenced by the perfect combination of innocence and torment, and she has never been more obsessed with testing his admired grip on control.
Charlie Theodore Hemming Kerr Kenyon-so many names and yet he still searches for the one person who will know him intrinsically. In an unforgettable lesson of cruel fate, the girl he would have chosen to fulfill his soul has chosen his father. His mother's past had been seemingly sealed by her death, but his DNA would have it otherwise-a mutation, a curse that pushes him to figure out who and what he was. Under the guise of an archaeologist in the modern day, he has practically become an artifact himself, and decides to use one of the world's most beloved pieces of art to avenge the past and expose as much of the truth as the public can handle. It's then that fate amends its cruelty and shows him the girl-Asena Tagar-aligning the past, the present, and hope.