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"It comes from his guts and ends at the hero's 'breaking point.' It explores many themes favored by my father like guilt and innocence, the difficult relationship between the generations, the difficulty of being a black policeman and father, the difficulty of being both those things and suspecting that your own son is the murderer. It intertwines astonishingly modern themes for a novel written in 1960: fear of syphilis and the guilt for leaving a girlfriend stuck with congenital syphilis...and also presciently modern: the exploration of motives for serial killing at a time when bestselling thrillers were not based on that theme." - Julia Wright