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Multilingual Dramaturgies provides a study of dramaturgical practices in contemporary multilingual theatre in Europe. Featuring interviews with international theatremakers, the book gives an insight to diverse approaches towards multilingual theatre and its dramaturgy that reflect cultural, political, and economic landscapes of contemporary Europe, its inhabitants, and its theatres. First-hand accounts are contextualized to reveal a complex set of negotiations involved in the creative and political tasks of staging multilingualism and engaging the audience, as well as in practical issues like funding and developing working models. Using interviews with practitioners from a diverse range of theatrical backgrounds and career levels, and with various models of financial support, Multilingual Dramaturgies also offers an insight into different attitudes towards multilingualism in European theatres. The book illuminates not only the potential for multilingual dramaturgies, but also practical and creative difficulties in creating them. By bringing voices of artists together and providing a critical commentary, Multilingual Dramaturgies sheds light on an exciting theatre practice, argues for its central role in European future, and highlights potential directions for its further development. Given the UK's current position on Europe, it is particularly timely that the book is authored by an international scholar and theatre-maker based in the UK.
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