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ArticlesVIRGINIE MAGNATDecolonizing Performance ResearchDIANA TAYLORSaving the "Live"? Re-performance and Intangible Cultural HeritageSAINI MANNINEN"In theatre, as in love, the subject is disappearance"; On Absence and Archival Logic in PerformanceXAVIER LEMOINEPerforming Black Queerness in the U.S. South: Ethnographic Performance and the Blurring of Presence in E.P. Johnson's Sweet TeaMARIE PECORARIMaking up (for) the Great Man: Impersonation and Cosmetics in Suzan-Lori Parks's Topdog/UnderdogÉtude critiqueRICHARD ANKERRemembering Geoffrey Hartman and Wordsworth's Poetry
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