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"Ecofeminist Subjectivities: Chaucer's Talking Birds" analyzes the interaction between gender and species in Chaucer's poetry and interprets his adaptation of medieval genres through an ecofeminist lens. His self-conscious experimentation with talking birds reveals both a curtailment and an expansion of narrative perspective. The projection of a nonhuman subjectivity in texts not only erodes the edges of human superiority, but also teaches us the power and evolutionary optimism of storytelling itself. This book traces how the human-defined medium of language and its complex interplay between the human and nonhuman exposes a more inclusive perspective of "reality" outside of human control.
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