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Digital Baroque

New Media Art and Cinematic Folds

Language EnglishEnglish
Book Paperback
Book Digital Baroque Timothy Murray
Libristo code: 04729013
Publishers University of Minnesota Press, December 2008
A surprising and original application of theories of new media artIn this intellectually groundbreak... Full description
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UEber Bedeutung und Gebrauch der Hulfsverba Arnold Zehme / Book Paperback
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A surprising and original application of theories of new media art

In this intellectually groundbreaking work, Timothy Murray investigates a paradox embodied in the book's title: What is the relationship between digital, in the form of new media art, and baroque, a highly developed early modern philosophy of art? Making an exquisite and unexpected connection between the old and the new, Digital Baroque analyzes the philosophical paradigms that inform contemporary screen arts.

Examining a wide range of art forms, Murray reflects on the rhetorical, emotive, and social forces inherent in the screen arts' dialogue with early modern concepts. Among the works discussed are digitally oriented films by Peter Greenaway, Jean-Luc Godard, and Chris Marker; video installations by Thierry Kuntzel, Keith Piper, and Renate Ferro; and interactive media works by Toni Dove, David Rokeby, and Jill Scott. Sophisticated readings reveal the electronic psychosocial webs and digital representations that link text, film, and computer.

Murray puts forth an innovative Deleuzian psychophilosophical approach-one that argues that understanding new media art requires a fundamental conceptual shift from linear visual projection to nonlinear temporal folds intrinsic to the digital form.

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About the book

Full name Digital Baroque
Language English
Binding Book - Paperback
Date of issue 2008
Number of pages 320
EAN 9780816634026
ISBN 0816634025
Libristo code 04729013
Weight 468
Dimensions 156 x 229 x 22
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